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Rembrandt returns to the tattoo studio as Amsterdam’s museum brings art and craft together

An encounter in Amsterdam invites a closer look at how an image made for paper is interpreted on the body.

Rembrandt print showing Christ being lowered from the cross, surrounded by a group of illuminated figures.
Descent from the Cross, 1633. Historical reference artwork; this does not show the tattoo made for the 2026 project. · Rembrandt van Rijn · The Metropolitan Museum of Art · Gift of Henry Walters, 1917 · 17.37.69 · CC0 · Original · License

A museum with a tattoo studio

The Rembrandt House Museum announces The Poor Man’s Rembrandt Project from 26 October to 7 November 2026, with Henk Schiffmacher and his team. It includes a back piece inspired by the 1633 Descent from the Cross, involving Schiffmacher & Veldhoen and St. Catherina.

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The artwork takes us beyond the headline

The image accompanying this story is an impression of Descent from the Cross held by The Met. The museum dates it to 1633 and lists its medium as etching and burin. It reproduces the historical artwork, not the tattoo or the event.

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Moving from paper to the body involves choices

Look at the path of light through the print: attention gathers around the central group, while other figures sit within denser darkness. For someone learning to draw, this suggests a more useful question than “how much detail will fit?” What needs to remain the focal point when the surface changes?

An adaptation can be considered through composition, scale or the relationship between lines and shadows. Compare the starting image and the tattoo artist’s work thoughtfully, without assuming that reproducing every mark is the only measure of quality. We have not seen the completed back piece here: these are questions for approaching the project, not an assessment of a finished tattoo.

A date to follow the encounter

The official Museumnacht programme lists tattooing by the team at the Rembrandt House Museum on 7 November, from 19:00 to 01:00. It warns that walk-in spaces are limited and directs visitors to the museum’s website to book.

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What to take away even if you are not visiting

Use the print as the starting point for an observation session: locate the focal point, follow the diagonals and distinguish an area described with lines from one dominated by shadow. Then consider what you would ask the artist about their interpretation.

For us, the encounter is interesting because it opens a conversation between crafts. Tattooing offers a way of relating to an image; looking at the process and listening to the person transforming it can teach us as much as seeing the result.

Sources and editorial notes
  1. Museum Rembrandthuis — The Poor Man’s Rembrandt Project 2026
  2. Museumnacht Amsterdam — Rembrandt tattoos van Henk Schiffmacher
  3. The Metropolitan Museum of Art — Descent from the Cross, 1633
  4. The Met — Open Access

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